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Interview by Joe Leonard-Walters | Edited by Passion DzengaLaunching in 2021, Echobox has been forging a path for community radio by showcasing the diverse characters and concepts that surround them. In this feature, we will be looking into a few of the broadcasts that you can tune into so get locked in and don’t touch that dial.From one-half of Black Cadmium to the mastermind behind GLXY Records, Joginda is a force to be reckoned with in the electronic music scene. Known for his no-filter, everything-goes approach, his creative energy flows through every project he touches — from label releases and radio shows to curating unforgettable club nights."It's just an illusion, nothing is real," he says, channeling his instinctive, gut-driven vision into GLXY, a label dedicated to championing fresh talent while pushing sonic boundaries. With his Fam. event series set to debut during the International Film Festival Rotterdam, Joginda is creating a space where emerging artists stand shoulder-to-shoulder with seasoned pros, reigniting the essence of the underground club scene.We caught up with him to talk about the philosophy driving GLXY, what makes a great club night, his dream radio guest, and what’s next for the label. You can catch up with this show now on Echobox Radio.GLXY is going from strength to strength with new releases, radio shows and now your FAM events. What's the vision that ties it all together?GLXY is still a young label, so I’m definitely still finding my footing. But right now, my vision for GLXY Recs is to strike a balance between showcasing fresh, emerging talent and more seasoned artists who have a unique sound — or simply a vibe I love playing in my sets. Eventually, I want to push the boundaries and release more experimental music on the label too. I tend to be pretty impulsive with these decisions, letting my gut guide me.The GLXY radio show, on the other hand, is where I get to spotlight what’s coming up on the label while also sharing tracks from new artists who send me demos. If I vibe with their sound and it fits with who I am as a DJ, I make it a point to give them a platform.Fam. is a concept I’ve been wanting to launch for a while now — even back in my Black Cadmium days. But with everything I’m already doing — DJing, running the label, hosting the radio show — I had to find the right moment and collaborators to make it happen. Now, I’ve teamed up with GIRLS, a young artist and DJ collective from Rotterdam, and on January 31st, during the International Film Festival Rotterdam, we’re finally bringing Fam. to life.The idea behind Fam. is about creating a space for emerging talent to stand shoulder-to-shoulder with established artists from GLXY Recs. For this first edition, we’ve got Panda Lassow and Prince Pasensi headlining the GLXY stage, alongside a lineup that blends fresh faces with seasoned performers. It’s a night where the energy of the next generation meets the experience of the pros.What do you think makes a good club night?Good, affordable club nights are rare these days. But for me, what really makes a club night great is when there’s a balance in the lineup — fresh talent mixed with more established names — and if that’s paired with an enthusiastic crowd, that’s the perfect combo.I come from the club scene myself, and I’d love to see a stronger focus on that again, rather than these massive festivals that are almost impossible to afford for the new and upcoming generation of ravers. With this club night, we’re trying to do our part to bring that energy back. If you could invite anyone (alive or dead) as a guest on your show, who would it be?These questions are always tricky for me because you end up naming someone who probably doesn’t need any extra attention. That’s usually how it goes, right? But if I were to invite someone from the more established names, it would definitely be Skee Mask. I’m a huge fan of him as both a DJ and producer, and I find myself appreciating his work more and more, especially his productions. I’d love to have him play a show sometime, who knows :)How do you use your show to showcase GLXY records?With the GLXY radio show, I really try to create a space where the sound and vision of the label come to life. It’s where I showcase upcoming releases from GLXY Records and give listeners a taste of what’s to come. But it’s not just about what’s already on the label — I also use the show to highlight fresh talent and new music from artists who send me demos. If their sound fits the vibe of the label and my sets, I’ll make sure to feature them. For me, the show is about building a connection between the label, the music, and the wider scene — it’s like a sonic diary of where GLXY is heading.What's next for the label?I’ve just finished my own EP, so logically, that could be the next release on the label. But I’ve also got some amazing producers lined up for the coming year. Like I mentioned before, I’m pretty impulsive in how I work, so the exact release order isn’t set in stone yet. Ultimately, though, I want the freedom to put my own music out there whenever it feels right, while continuing to push the sounds and artists that inspire me.From adventurous electronic music label topo2: label head, music enthusiast, avid vinyl & mp3 collector/tracklist fundamentalist, Bert de Rooij (previously hosting under his bertbert cloak), will juxtapose music from every corner of the 'experimental' electronic music spectrum. With more than 20 years behind the decks, this seasoned DJ and curator has built a career on pushing the boundaries of experimental electronic music. From his early bertbert radio show to the creation of topo2, his new label and creative platform, his ethos has always been about championing fresh sounds and breaking free from genre constraints.  In this interview, we delve into his passion for radio as an art form, the obsessive attention to detail that defines his craft (spoiler: tracklists are non-negotiable), and how his love of electronic music informs the vision for topo2. As a label, blog, and newsletter, topo2 is more than just a platform for releases — it’s a space to celebrate everything that makes up the beautifully niche corners of the electronic music ecosystem.  We also discuss his proudest achievements, including the debut release from upsammy, and what’s next as he prepares to drop even more boundary-pushing sounds. You can catch up with this show now on Echobox Radio.Your show has a very clear ethos - why is it so important to push the freshest experimental electronic music?I actually think it’s not always as clear to the world as it is in my own head. topo2, and previously my bertbert radio show, are basically outlets for me to share music that I’m enthusiastic about in a mix format. Being a DJ for more than 20 years now, I still think mixtapes or radio shows are the best format to appreciate electronic music outside of an event. An hour of radio or a dedicated mixtape creates a new piece of art in itself and brings a different context to all the different tracks in the set. My ethos has always been trying not to be scared by genres when DJ’ing. I would describe my taste as quite broad within the spectrum of niche electronic music, but I tend to spend most of my time listening to “electronica”, ““experimental”” (that one just deserves two pairs of air quotes), and “ambient”. Do expect some dancefloor-oriented house, techno, and bass music too.What's the nerdiest thing on your USB?Waving the nerd-flag myself feels a bit uncomfortable, but there are interesting things on my USB for sure. I have a few playlists with dedicated loops or vocals, drum patterns, and sometimes just a 1/4 hi-hat that I really like that I can use as layers over other tracks as they’re going.What’s not on my USB but addresses the spirit of the question is my obsession with tracklists. I have debated this with a lot of people, but I think they are mandatory for every mix out there except for when you’re solely playing your own music. I think you should take every chance to platform art that you’re wild about, and more importantly, as a DJ, you are building your art from the fruits of others.You've just started a new label; how much does this ethos inform your vision for topo2?It’s basically the same! The topo2 world gives me the chance to do a bit more than only playing music, though. Navigating a label within the music industry usually is done from a kinda strict point of view, only communicating on the label’s output. With topo2, I like to broaden the scope to the wider ecosystem and be enthusiastic about everything that forms this silly corner of the music spectrum.I’m releasing music on a myriad of formats, and I can blog about music I like on my website. I also started a monthly newsletter where I recommend music that caught my ear. I hope to both engage with fellow music heads that already recognize most of the music and curious minds that are not in the know about what’s in some random niche pocket of the electronic music spectrum.You say that your label is about exciting music, whether you've released it or not - what's most exciting to you at the moment?The volume of good and interesting music being released! Just a few examples here below. Other than that, I’m still super proud of the first release by upsammy on the label I did last November! I can’t wait to drop the next three releases I’ve worked on for the last year and a half. More news on that soon!https://mirrorzone.bandcamp.com/album/proxygen-proxygen?from=embedhttps://melkeane.bandcamp.com/album/airs?from=embedhttps://howaboutplor.bandcamp.com/album/orchestration-of-my-joy?from=embedhttps://brukrecords.bandcamp.com/album/earth-rotation-2?from=embedhttps://33-33.bandcamp.com/album/instinctTune in to Echobox - broadcasting from below sea level every week, Thursday until Sunday.

A collection of trap & drill classics from Patta's Nadim. This is his first mixtape and it is perfect for all our community. So if you're taking on the Patta Running Team January challenge or you're getting ready for a night out on the town, turn this one up and get Back 2 The Trap with Nadim.Nadim · Back 2 The Trap (LIVE SET) 

This Friday, December 27th, we’re keeping the festive spirit alive as Kids of Immigrants touches down at the Patta stores in Amsterdam and London to release the Kids of Immigrants Air Max SNDR Sunrise. Kids of Immigrants is a brand rooted in celebrating heritage and channeling it into creativity. With the Air Max SNDR Sunrise release, they pay tribute to their immigrant parents, the original creative directors of their story. Founded in Los Angeles, the brand’s message resonates far and wide. This partnership between Patta and Kids of Immigrants is about coming together as a community and honoring the stories that make us who we are.To celebrate the occasion Patta and Kids of Immigrants created a collaborative limited long-sleeve, only available for purchase on Friday, December 27th. While the Kids of Immigrants team will be at the Amsterdam store, they’ll be there in spirit at the Patta London store. Don’t miss your chance to grab a pair of the limited-edition sneakers. With every purchase, you’ll receive. A limited-edition product poster and an exclusive book showcasing the design processSee you at Patta Amsterdam, Zeedijk 68 (11:00 - 19:00) or Patta London, 6 Silver Pl (12:00 - 18:00) on Friday, December 27th.

Interview by Candy Reding & Passion Dzenga | Moving Images & Film Stills by Safi GraauwGet familiar with Safi Graauw, a filmmaker whose work is anything but ordinary. Safi’s unique approach blends his scientific background with a passion for purpose-driven storytelling. With a background in Earth Sciences, Safi has a keen ability to look at the world through a socio-economic lens, always asking not just what people want to see, but what they need to see. This perspective infuses his projects with a deeper meaning, whether he's creating a visually striking commercial or tackling complex environmental and social themes in his documentaries.From his groundbreaking work on the Patta x Alpha Industries campaign to his innovative exploration of identity, belonging and diaspora, Safi has continuously pushed the boundaries of storytelling. His projects are known for their emotional depth, where aesthetic mastery is paired with a profound sense of purpose. Safi is also a director who understands the power of collaboration - believing in synergy and giving his team ownership in crafting the vibe of each project. It's clear that every film he creates has got love for the story, the culture, and the message it carries.In this interview, Safi opens up about his journey - from his early career challenges to the filmmakers who inspire him - and reflects on how film can shape a more empathetic and informed world. Get ready to dive into the world of a director who doesn't just want to entertain, but to ignite a shift in perspective and leave a lasting impact.Your campaign video for Patta x Alpha Industries showcases a distinct narrative. Can you walk us through how you approached this project, and what specific message you wanted to convey. When it comes to projects, I always try to be as collaborative as I can. I’m not the type of director that completely sets their vision in stone. The creative process to me is a fluent thing. We started thinking in different directions and ended up with the idea of uniting the four cities Patta has landed in through language and using wind as a metaphor. We wanted to show where Patta started by starting our verse in Surinamese, and wanted to create a full-circle moment by ending the film in Nigeria. Sort of as a homecoming of the diaspora. As a connective tissue, I was looking to use point-cloud animation to transition us from space to space, creating the aesthetic we have now. Your background in Earth Sciences has clearly influenced your storytelling. How did your experience in academia shape your views on communication, and how do you bring that into your work as a filmmaker?My background in science, is a lynchpin to everything I do. Creativity is a very subjective thing, and when being confronted with the creativity of others one can easily get lost in the sauce of what seems relevant. My scientific background keeps me grounded because I always try and approach a project from a socio-economic perspective. I’m the kind of director that doesn’t look for what people want to see, but what people need to see. And to get there, I look at society in a scientific way. You’ve mentioned that you prefer to work from a purpose-driven perspective rather than focusing on aesthetic or medium. How do you go about finding the right form or style for each project?The purpose driven perspective comes from a deep desire to make sure my work adds something positive to the real-life perspective of the viewer. In the case of the Patta x Alpha industries project we aimed for a sense of pride and belonging. There’s so many aesthetic directors, and I love looking at visually pleasing imagery. But to me, at the heart of storytelling lies purpose. Purpose to me is much like a sense of belonging, it creates a goal that is higher than just the work. I need that as a director. I don’t want the work to be about me or my skill. So before I find the right form, I must find the heart of the work, which is essentially its purpose. You emphasize the importance of breaking away from expectations. How do you navigate balancing creative risks with the need to engage an audience and meet commercial objectives?Balancing between creative risk and commercial objectives is an internal conversation about ego. It’s about understanding who you are working for. It’s a conversation that comes before I say yes to a project. I know what I’m working for, I know why I’m working for the brand and its commercial/social objectives then merge with mine. Once that internal conversation is done, it’s all about finding the most interesting angle. In your view, what role does film play in shaping positive narratives in society? How do you ensure that your work adds something meaningful or impactful to the conversation?As someone with a scientific background I am convinced that we live in an age of information. If we look at subjects such as the environment, the research has been done, the scientific consensus is there and the information is widely available. Yet we’re still seeing too little change. This is because the information we share, has little to no emotional value. And that’s where film comes in. Films about nature, make sure we build a love for our natural surroundings and a will to protect it. Because how do we protect that which we do not love? In my work, I try to build just that inside the viewer, an intrinsic love for whatever project they just saw. As a self-taught director, what challenges did you face early on in your career, and how did you overcome them? How did your journey as a filmmaker differ from those who formally studied film?Haha you got time? It’s the insecurities, trying to stand out but not losing your core, being too humble and shy. Early in my career, this idea of having purpose did not exist in the industry. Most of it was about being aesthetically pleasing or comedic. So as someone that wanted to change or influence the perspective of a viewer, there was no space. I think my stubbornness is what saved me. Sticking with my plan, even though being made fun of. Constantly looking for ways to hone my craft. The big difference between me and people who formally studied film, is that failure was always my starting condition. There was no safety switch in the projects I did, and failure could lead to a career end. I got comfortable with the idea that failure was always looking over my shoulder. And as soon as that happened, I started understanding what taking a risk really meant. Pop culture is a key carrier for the social and environmental stories you tell. How do you choose which aspects of pop culture to incorporate, and how do you ensure these stories resonate with a broad audience?Popular culture, has an enormous carrying capacity for a purposeful message. I always try to indulge myself in aspects of popular culture by being part of it. Consuming it, studying it constantly. The aspects of popular culture I choose are mostly linked within the scope of my own interests. And with pop culture, comes that broader audience most brands are looking for, but only if the right story is told.  Making sure these stories resonate is much less about the visual part of storytelling, but much more about understanding its mechanics. It’s about understanding the way we as human beings are moved by stories and hitting the right tone for a broad audience to feel something. Your work blends environmental and social themes with commercial and fiction filmmaking. What unique challenges does this blend of purpose-driven storytelling and commercial work present?Filmmaking for most directors is something done intuitively. Navigating environmental and social themes in documentary, fiction and commercial projects requires a relatively in-depth knowledge of storytelling and environmental/social themes. I’m lucky enough to have obtained a master’s degree in earth-sciences which gives me the tools to navigate these spaces whilst being able to fact-check myself whilst doing so. It also makes me a director that thrives when we get off the beaten path. There’s no standard set of rules I apply when coming up with ideas. It’s about finding the core of a project but still having the tools to make sure you are on the right track. The unique challenges I have are more about staying up-to-date with new developments within these subjects and constantly understanding the very core and nature of the project I’m doing. I personally think the challenge is setting aside your ego and understand you’re always learning.  Looking at your body of work, there’s a clear sense of consistency in your approach to filmmaking. How do you maintain this coherence while still ensuring each project feels fresh and unique?That’s a very hard thing to describe, but I think it has a lot to do with the projects I choose to work on. I think my enthusiasm is the connective tissue in my body of work. The projects I work on are often an extension of who I am, or want to be. Culture-wise and aesthetically I have certain things I love about storytelling. I think when looking at my body of work you can feel the things in the world I gravitate towards and you can feel them in the different forms I have created them in. How do you see the evolution of film as a medium? Do you think we’re at a turning point where storytelling can transcend traditional boundaries and break even further from conventions?At this point, we’re kind of in a no-man’s land when it comes to film. There’s the development of new tools such as AI on one side. And then on the other hand there’s the focus on fast-paced imagery. I honestly feel like directors are focusing too hard on creating visual impact and developing an aesthetic muscle. We’re being bombarded with aesthetically pleasing shots every day and actually telling a story seems to be left aside more often. But the most important aspect of being a director, is understanding story first. And after that, it’s about understanding shots. If we do not break this convention, directing (commercial) film will become much more like photography.  The Patta x Alpha Industries campaign video has such a unique vibe. What’s your process for developing a ‘vibe’ or tone for a project, and how does it inform your decisions about visuals, sound, and pacing?This comes back to finding the heartbeat of a project. What is this really about, aside from a well made jacket. We found this is a project about belonging. It’s about how a brand coming from the minds of the diaspora found its way back home. Using that as our starting point, the conversation clearly stated what we should do. From there, we use our aesthetic muscle and create a vibe around that. Creating that vibe is not just something I do, it’s something that comes from the whole team, from the styling (Esmeralda Tan) to hair and make-up (Gladys Ferro) and art-direction (Floris Eysink-Smeets). I always try and create a synergy between the people I’m working with and make sure there’s a sense of aesthetic ownership within the team. You’ve stated that film as a medium should introduce a new perspective. What do you think audiences often miss when watching mainstream films, and how do you work to highlight those missed elements in your own work?Films (whether its feature film or episodic TV) are supposed to be conversations with our own humanity. The characters we create resemble us, but don’t make the choices we would. They explore possible ideas and mechanisms within humans. Too often do I find a mainstream film that tries to resemble reality too much. I know this is subjective but I feel that’s a missed chance. The Coen brothers nicely wrote; “We all love hearing stories about ourselves. So long as the people in the stories are us, but not us”.  I personally try to put my characters in situations that we aren’t familiar with, I try to create a world around them that resembles ours but isn’t. And in the process of doing that, I hope to create something magical and serve some perspective. You’ve built a reputation for creating films that are anything but ordinary. Are there any particular filmmakers or creators who have inspired your approach or worldview?Oh yes! This will be a long answer so brace yourselves: There’s so many but to give you the tip of the iceberg, Guillermo del Toro is a director that makes fairy tales for adults. His work inspires me to my core. Then there’s Guy Ritchie and Edgar Wright, their fast-paced crazy worlds are filled with impossibilities. But these makers always know how to make it believable. I mean, in Snatch, Guy Ritchie literally makes a character travel from America to England in one sentence of dialogue and we eat it like raspberry pie. Then there’s Steve McQueen and Barry Jenkins way of telling black stories, which is one I’ve studied and carried with me forever. In documentary, Yann Arthus Bertrand, an ecologist and director has inspired me to make films that show the grandeur and essence of us as human beings. I’ve learned tonnes of his approach on filmmaking. Ava Duvernay and Spike Lee are the directors I see as an example when it comes to being great examples to others and powerful leaders both on and off set. In my style of directing, I learn from and look at Greta Gerwig. Then there’s Jeymes Samuel, his eclectic personality, excitement, musical taste and the fact that he made The Harder They Fall. Inspires me to the bone. And one day, I hope to live up to the words of Chadwick Boseman. If I could be half of the man he was, I’ve lived a good life. “Take your time, but never waste your time”.Filmmaking has the potential to bring about change, but that’s a significant responsibility. How do you stay grounded and true to your purpose while navigating the pressures of the industry?I like to see myself as someone that truly shows what I stand for in the most honest way I can, so that the industry gravitates towards me, instead of the other way around. How do you want audiences to feel after watching one of your films? Do you aim for specific emotions, or do you hope they walk away with new ideas and perspectives?When starting the edit of a film or TV-series, I always say “We zagen ze door de helft!” which literally translates to: “Let’s cut them in half!”. By saying that, I state that my intention in creating the film or an episode of a TV is cutting right through the emotions of the viewer. I always try to convey honest emotion within the viewer. I want them to experience everything in between laughing and crying so that the film they watched is the sum of an actual human experience. Finally, looking ahead, what projects or stories are you most excited to explore? Are there any themes or concepts that you're eager to tackle in the future.There’s so many things in store at this point. I’m the showrunner and main director of a series in currently the biggest crime-franchise in the Netherlands. I’m working with awesome writers to create a new direction. I’m currently working on a very interesting short documentary about the Second World War. That’s been an amazing journey up until now. There’s feature films hopefully being commissioned at the time of writing. But there’s one thing I’ve been really excited about. It’s a lot smaller than most of the things I summed up until now, but I’m going to work on a children’s book with a very good friend of mine (Jerrold). It’s a small endeavour but I’m really excited about it and hopefully I one day get to develop that into an animated feature for you to see. To commemorate this landmark year, we’re releasing a limited-edition collaboration with Alpha Industries, the iconic MA-1 Bomber Jacket. The Patta x Alpha Industries MA-1 is a timeless piece that blends Patta’s signature style with Alpha Industries’ heritage, creating a jacket that’s as bold and authentic as the cities we represent.The Patta x Alpha Industries MA-1 Bomber Jacket will be available on Friday, December 20th at 13:00 CET on patta.nl, patta.co, pattaclothing.us and the Patta mobile app.

Interview by Passion Dzenga | Photography by Andrea AmponsahIn anticipation of the brand new Patta x Alpha Industries collaboration for 2024, we sit down with one of the talents from the campaign, Epoque, an artist whose unique blend of Afro sounds, R&B melodies and rap is reshaping the music scene in Italy. Raised in Paris, Brussels, and Italy, her multicultural upbringing has played a significant role in shaping her sound and artistic vision. From her deep connection to her Congolese roots to her collaborations with some of the biggest names in music, Epoque has quickly become a trailblazer for second-generation artists in the industry. In our conversation, Epoque shares insights into her musical journey, the challenges she faces as an emerging artist in Italy, and the influences that have helped shape her style. She also opens up about the importance of authenticity in her lyrics, the impact of Afrobeats on her sound, and her hopes for the future of the genre in Italy. Get familiar with the artist behind Tram 83, as she talks about her creative process, personal growth, and the exciting projects that lie ahead. Epoque, your upbringing in Paris, Brussels, and Italy has clearly shaped your musical journey. How has living in these different cities influenced your sound and artistic vision?  Living abroad certainly helped me appreciate a lot of different music, which allowed my style to emerge and evolve. Above all, it helped me make my music credible in the Italian language, which may seem obvious, but it’s not easy.  Your music blends Afro sounds, R&B melodies, and rap. How did you first get into these genres, and how did they come together in your own unique style?Ever since I was a little girl who loved listening to music, I wasn’t allowed to go out much, so I closed myself off by listening to music all day. My older brothers had CDs of rap, R&B, and hip-hop, so I listened to a lot of that non-stop. My parents also loved listening to traditional Congolese music on Sundays, and we had small parties with traditional food to liven up our days when we were all free. Then, as I grew up, I started listening to reggae, Michael Jackson, Gorillaz, and soft rock, which were a bit of a departure from what I had always listened to. In my opinion, this broad musical background allowed me to create my own style.  You mix Italian, French and Lingala in your lyrics. What is the significance of these languages in your music, and how do they help express your identity?In everyday life, I tend to mix the languages I know and have learned. When I started singing, I wanted to do the same, but I also believe that musically, I did it to stay close to my roots and complete the identity of the genre I’m working in.  Can you tell us a bit about the moment you realized music would be your calling? Was there a specific artist or event that inspired you to pursue this path?  When I was little, I certainly loved Michael Jackson, because in addition to his music, which moved me deeply and gave me many emotions, he always wanted to give a message. And for me, this is very important. On the other hand, at the beginning, I wasn’t aware of where I could go with music, given my background and the type of music that is generally listened to in Italy. But it was certainly the positive response from people that made me realize I could do something serious with music.  You’ve worked with big names like Ernia, Jovanotti, Villabanks, and Irama. What have these collaborations taught you about the music industry, and how have they helped you evolve as an artist?I never went to a music school. I started this journey from my hobby and personal background, so working with big artists helped me shape my songs in a different way. It taught me to look for influences suited to my genre in the right places and to have a more productive approach in the studio. It helped me believe in what I do, regardless of the results, and to give the right weight to everything. I’m very grateful for this.  In December 2022, you were part of the exclusive opening event for the World’s First Jordan Store in Milan, alongside Lazza. How was that experience, and how did it feel to be recognized at such a high-profile event?When the invitation arrived, it was hard to believe. I’m very grateful and felt a great sense of responsibility at that event. I didn’t want to mess anything up. As a Black artist who makes Afrobeats in Italy, being invited to an event like that means a lot to me. It shows that things are changing.  You were also featured in the Fred Perry Subculture campaign, where you shared the influence of alternative music on your style. What was it like to represent a brand that celebrates individuality and youth culture?  The collaboration with Fred Perry was very important. I wanted to give a voice to all the second-generation people with talent who have something to say and bring to the music industry and beyond.  You were the face of New Era’s 2022 campaign titled “Now Playing.” What was your role in this project, and what was it like being the Italian representative for such an international initiative? For New Era, I wanted to represent the second-generation segment that, through their roots, can bring something new to the music scene in Italy.Your lyrics are often self-conscious and deeply personal. What role does authenticity play in your music, and how do you balance vulnerability with your public persona?  For me, authenticity is very important. I grew up listening to rap music where the lyrics were very clear and explicit, talking about everyday life, the good and the bad, and the culture. I feel very comfortable with this, and for me, it’s also a way to connect with the people who listen to me, to make them feel involved and part of something.  Afro rhythms are a key part of your sound. Can you talk about the significance of Afrobeat and Congolese culture in your music and how you stay connected to your roots while pushing your own boundaries?I don’t know if it’s an urban legend or if it’s true, but Congolese people are very proud of their music, and when I started making music, I felt that pride within myself. It’s about carrying forward the culture. My parents unconsciously influenced me a lot and helped me understand how strong both the message and the sounds of traditional music were. So, I’m proud of it.  As an emerging artist in Italy, what challenges have you faced in the music industry, and how do you navigate those obstacles?  Being an emerging artist is definitely about pushing myself beyond what I can do. Sometimes it requires giving my best, and it can be draining and make you feel a bit alone. But I’m aware that this is just the beginning. Doing a genre that isn’t popular in Italy is still the biggest obstacle, but I’m happy with the positive response I’ve gotten from people, colleagues, and professionals. I feel that there is a desire for something new and different in the music industry. You’ve already achieved so much at a relatively young age. What’s next for Epoque? Are there any upcoming projects or collaborations that we should be excited about?In 2025, there will definitely be new music and collaborations, but for now, I’m enjoying the release of my first EP, Tram 83, which I’m very happy and proud of.  You’ve become a role model for many young people, especially those who identify with a similar multicultural background. What advice would you give to other aspiring artists who are trying to find their voice in the music industry?One piece of advice I can give is to be humble and patient. Focus on your goals clearly, surround yourself with positive people, and do what you believe in as best as you can - without caring about trends or what people usually listen to on the radio.  Finally, what’s the message you hope to leave with your fans through your music, and where do you see your career going in the next five years?  In five years, I hope to be the best version of myself as an artist, and I hope that with my music and the music of my colleagues in the same genre, we can truly integrate Afrobeats into Italy. With my music, I try to remove any boundaries, to give a message of positivity and faith in victory. In my case, coming from a very humble background and family, I believe victory can be achieved by anyone - you just have to believe in it and stop comparing yourself to others.To commemorate this landmark year, we’re releasing a limited-edition collaboration with Alpha Industries, the iconic MA-1 Bomber Jacket. The Patta x Alpha Industries MA-1 is a timeless piece that blends Patta’s signature style with Alpha Industries’ heritage, creating a jacket that’s as bold and authentic as the cities we represent.The Patta x Alpha Industries MA-1 Bomber Jacket will be available on Friday, December 20th at 13:00 CET on patta.nl, patta.co, pattaclothing.us and the Patta mobile app.

Interview by Joe Leonard-Walters | Edited by Passion DzengaLaunching in 2021, Echobox has been forging a path for community radio by showcasing the diverse characters and concepts that surround them. In this feature, we will be looking into a few of the broadcasts that you can tune into so get locked in and don’t touch that dial.Feel all the feelings: in Hysteria, angelboy plays music that evokes a different emotion every month. You can catch up with this show now on Echobox Radio. Your show plays on emotions and the way we experience them from music - why was important that your show is so personal?I’ve always been someone who feels things deeply (for my astrology girlies: Pisces and water signs DOWN). Emotions are at the core of everything I do, but for a long time, I felt like they were something to tone down. This show became my way of doing the opposite — of cherishing and exploring feelings through music.Besides that, I don’t like to be bound by genres. It makes no sense for me to structure music based on what elements a song has, but rather what it does to you while listening to it. With Hysteria, I wanted to create something that people could use to either shift their mood or fully lean into their emotions. Whether it’s to go from feeling annoyed to finding joy or to dive into grief, embrace it, and hopefully find relief afterward. What's the most hysterical track on your USB?‘Meaning what exactly’ by Coil: a captivating, eerie, and melancholic track that lends itself for many emotional interpretations – as the title implies. I think that is the beauty of music: it can evoke different feelings in everyone, based on taste or experiences. Hysteria thrives on this idea, with guest shows often flipping my own perspective. A song I might find sad could feel euphoric to someone else. With Hysteria you start to hear music not just through your own lens, but through someone else’s emotional state, and it shifts the way you experience it. Is there as much emotion in your DJ sets and productions as your radio shows?Definitely, but in a different way. While Hysteria is about one emotional theme, in my DJ sets I want to guide people through multiple emotions. I often start with tracks that spark curiosity, then slip into more repetitive rhythms that feel meditative, and then it’s about balancing feelings of ecstasy with rougher feelings like frustration or anger. By the end, I aim for a sense of release, leaving you somewhere different from where we started. As well as an Echobox resident, you’re a published author. How does your show relate to your writing?Music and writing are two sides of the same coin for me — they both evoke emotions in unique ways. I always feature poetry in my shows because, like music, it distills feelings into their purest form. A few words can spark something profound, just like a melody or sound. What I love most is how both leave space for interpretation, encouraging listeners or readers to bring their own experiences into the mix. Hysteria is about blending these forms, offering both sound and text as a way to make emotions resonate.Screamo Listening Sessions is a monthly radio show with Marvin Schippmann and more: amplifying emotional & daring music with a lot of screaming. You can catch up with this show now on Echobox Radio.Turns out it isn't just a phase - how did your love affair with screamo start?In the mid-2000’s, when I was between 15 and 16 years old and myspace was still around - I began my journey into the realm of heavier music, and started listening to more punk, hardcore, (mainstream) emo (think of My Chemical Romance) as well as also a lot of metalcore which was all extremely popular at the time. At the time, I had a full-on “scene” phase with black dyed hair, eyeliner and skinny jeans - and most heavy music was introduced to me through friends from school or concerts, bands linking other bands on their myspace page, printed magazines - and of course live shows and festivals’ line-ups. Most festivals were either too expensive for me to visit or far away such as in the US (thinking of Vans Warped Tour, etc.), but I still used the line-ups on festival posters as reference for bands to check out. Ultimately, I still ended up listening to a lot of the heavy music for the mainstream throughout my teenage years and only very little of the music and the shows I experienced in Germany (mainly in Hamburg) during my teenage years, retained much the DIY ethos, honesty, depth and radical form of emotional expression, which were and are essential to screamo and the DIY community. Although there are numerous and important DIY spaces in Hamburg, it took me a while to get to know about them and even longer to get familiar with people involved.    It was actually years later, after I moved to Amsterdam, started studying and eventually began an internship at Patta - that my love for heavy music and in particular screamo would be reignited. I properly fell in love with screamo rather late, in my mid-20’s - when I started to explore more of the genuine roots of the mainstream music I was fed /consumed during my teenage years. For the past 7 years, screamo has been with me every day - and thanks to Echobox I have been able to proclaim my love and admiration for this genre, heavy music as well as DIY culture in public with Screamo Listening Sessions every four weeks, for the past three years. Do you find catharsis in the intense music, or is the rest of your life just as intense?Yes - there is definitely something cathartic about intense music, whether it is screamo, metal, dub or techno. I have been working at Patta for the past 9 years and it is never boring - and especially in busier periods and even stressful moments, music has always functioned as ventile. In particular, feeling overwhelmed and being able to let go of this feeling until feeling at ease with everything (even despite everything) - are two recurring states I find myself in when experiencing intense music, especially at live events. In the process of letting go and accepting being utterly overwhelmed, I often find myself most at ease and in sync with the music around me.    I am actually rather an introvert person and often admire others for their ability to express themselves and convey meaningful thoughts and/or emotions in form of words & essentially sounds. However, moving along with music or dancing to music is a way I feel like I can express myself and give appreciation to music & musicians - so music becomes an important catalyst for expressing my own emotions and thoughts even if it is only through movements. Especially screamo (done well) is able to convey emotions, thoughts and/or opinions that one can empathise and identify with whether or not I actually understand all of the lyrics right away. I am not saying that the lyrical content is irrelevant, quite the opposite is the case (once again if done well - IMO). In this dynamic there is a strong element of identifying with each other on a human level - and confronting each other with the emotions, opinions and/or worries (even trauma - yet also joy & love) we might share - through music even though (or maybe because) most vocals are screamed. Do you have a favourite memory from hosting your show?Sorry, I have a bunch…Such as having all three members of the band, Apousia - for a live broadcast on the show - is a very special memory. Two band members, Luna and Farah - were able to join in person in the studio and drummer Assia - was calling in remotely.  Meeting & interviewing Pierce, GG, TJ and Leon from Soul Glo together with Passion is also high up there. The guest feature with Vincent Shore from Second Guessing, Karnabahar, GGGOLDDD which was the first guest feature with an in-studio guest during live broadcast.If you could pick one track to get someone into screamo, what would it be?“Tigersuit” by Raein Any plans to take the listening sessions offline and in-person? What does the future hold?Earlier this year, friends, Danny and Joran - from the band Dooie Mus and Dooie Mug Booking and I booked a show with Vibora, Oscuro Culto and Apousia at the OCCII - which was a very special experience with three incredible bands.I would love to keep booking more shows and help to get more bands to come play in Amsterdam and NL - and I am looking forward to getting more involved in this soon. I am also volunteering at the OCCII in Amsterdam - and am planning a recurring series of Screamo Listening Sessions with take-over episodes by people who are also involved and affiliated with the OCCII and the local DIY community.These take-over episodes might not feature any screamo - and can have any musical direction or radio show concept, depending on who is sitting in or taking over.  This way I hope that Screamo Listening Sessions can also be a platform for the local DIY community, since screamo as a genre is rooted in DIY culture and depending on its existence.The first edition of the OCCII take-overs will be broadcasted live on the 28th November - and I am excited to welcome Apostolis from World’s Appreciated Kitsch at the Echobox studio for this.  

A$AP Twelvyy has just dropped the music video for his latest single, "Millennium Puzzle," the title track off his upcoming album. The video, which showcases his signature street style, captures Twelvyy navigating the city while wearing the latest from Patta AW24 and the Nike x Patta Running Team collection.While in town for the shoot, we caught up with Twelvyy as he hit the shops, effortlessly blending fashion with his trademark urban edge. The track itself is a tight, energetic release that matches the video’s high-paced visuals, reflecting the complex layers of Twelvyy’s sound.

Patta Amsterdam are excited to invite you to a special in-store event with two of the most exciting names in the game right now - Ants & Sainté! Whether you’re a long-time fan or just discovering their work, this is the perfect chance to meet them, chat with them in person, and get a behind-the-scenes look into their world. Ants & Sainté are making waves with their unique sounds, fresh style, and undeniable energy. And now, they’re taking time to meet you - their fans and the Patta community - right here in Amsterdam.Ants & Sainté will be in-store at Patta Amsterdam, Zeedijk 68 from 18:00 until 20:00 on November 7th.This is your chance to snap a pic, ask questions, and vibe with the artists up close. Whether you’re a sneakerhead, music lover, or just someone who appreciates good energy, you won't want to miss this event! So grab your friend and come down to Patta Amsterdam for a legendary meet & greet. Can’t wait to see you there!Get familiar with Ants here.Get familiar with Sainte here.

Interview by Joe Leonard-Walters | Edited by Passion Dzenga Launching in 2021, Echobox has been forging a path for community radio by showcasing the diverse characters and concepts that surround them. In this feature, we will be looking into a few of the broadcasts that you can tune into so get lock

Get ready for an exciting new exhibition by Boris Tellegen at Backslash Gallery in Paris, running from November 9 to December 21, 2024. The opening reception is on Saturday, November 9, from 2 PM to 8 PM, and you won’t want to miss it! Tellegen, known for his vibrant street art and intricate designs

Interview by Passion Dzenga | Photography by Adam ZM Meet MANSO̶U̶R̶ , the rising star making waves with his new psychedelic EP ‘not disturb’ featuring Sam Wise, Kadiata, El Londo and Rxlls. From spinning sets for big names like JEAN PAUL GAULTIER and NIKE to crafting his own sound, MANSO̶U̶R̶ is br

The Patta 20 YRS Anniversary Sale is coming to Batavia Stad in Lelystad. Join us for a special event where we've set aside Patta staples and exclusives. Team Patta curated a huge selection of recent releases, old gems, mainline apparel, collaborations, and accessories. Don't miss out on budget-frien

Interview by Victor Crezée & Passion Dzenga | Photography by Henrik Dieber & Jonathan Pieterse Get familiar with Macksta C , a prominent Memphis rap-focused musician, collector, designer and archivist. Originally hailing from Hamburg and now based in Amsterdam, Macksta C has made a significant mark

Loced Out is, in essence, an exhibition and event that highlights the bridge between old-school and new-school Memphis Rap. In the 90s, while hip-hop was tumultuously dominated by East Coast and West Coast sounds, Southern music was heading in a different direction. One of the most notable cities in

Here is the latest music video from Sideshow; he can be seen wearing the latest collection from Patta AW24.

Interview by Passion Dzenga Today, we’re chopping it up with SABRI - a soulful artist blending R&B, Hip-Hop, and Pop with her own raw edge. Born to a Moroccan father and Algerian mother, SABRI got hooked on music early, vibing to icons like Lauryn Hill, Aaliyah, and Mary J. Blige before she could ev